8 / 10
Mission: Impossible is Brian De Palma’s 1996 American spy thriller and the franchise launcher that has produced multiple sequels across three decades. Tom Cruise plays IMF agent Ethan Hunt, framed for the murder of his team during a Prague operation. Jon Voight plays Jim Phelps, Hunt’s mentor. Emmanuelle Béart plays Phelps’s wife Claire. Jean Reno and Ving Rhames play the agents who join Hunt’s renegade operation. The screenplay was written by David Koepp and Robert Towne, adapting the 1966 television series. The film was produced by Cruise’s production company and Paramount Pictures and grossed approximately 458 million dollars worldwide.
The work is the franchise foundation but operates at substantially different register than the subsequent productions established. De Palma’s spy thriller is plot-mechanism driven rather than action-spectacle driven. The famous Langley vault sequence is a heist setpiece rather than action setpiece. The plot is genuinely difficult to follow even for engaged viewers. The franchise’s eventual emphasis on practical stunt sequences and clear narrative through-lines was the response to this first film’s specific approach. The work stands as more interesting standalone production than franchise launcher would suggest.
The Langley Vault Sequence
The Langley vault sequence has acquired cultural standing that few film sequences match. The depicted operation requires Hunt to suspend on wires above a CIA computer room floor that triggers alarms on touch, temperature, or sound. The sequence runs approximately six minutes with minimal dialogue. The audience watches accumulated technical requirements convert into accumulated dramatic tension. The technique produces engagement that conventional action editing could not match.
The sequence works because De Palma commits to specific spatial geography rather than to action choreography. The audience understands the room’s layout, the alarm conditions, and Hunt’s specific positioning at each moment. The dramatic tension emerges from accumulated recognition rather than from generic suspense conventions. The sequence has been imitated extensively across subsequent heist and spy cinema. The original remains the most disciplined treatment of the dramatic situation.
For Writers
Specific spatial geography can produce dramatic tension that generic action conventions cannot match. Mission: Impossible’s Langley sequence depends on audience understanding of specific room layout. Apply this to fiction. Consider whether your tense sequences depend on specific spatial understanding or operate through generic action conventions. Specific spatial understanding produces engagement that generic conventions cannot generate.
The Plot Difficulty
The film’s plot is genuinely difficult to follow. The opening Prague operation, the subsequent disavowal, the NOC list MacGuffin, the mole investigation, and the final train sequence develop through specific spy mechanics that the screenplay refuses to oversimplify. Multiple viewings produce additional plot understanding that single viewings cannot deliver. The technique has produced ongoing critical engagement about whether the difficulty is structural strength or structural failure.
The difficulty also operates as deliberate strategic choice. De Palma had developed reputation for plot-mechanism complexity across his earlier work. The plot difficulty places Mission: Impossible in conversation with De Palma’s broader filmography rather than treating it as franchise property. The subsequent franchise productions would simplify the plot mechanism approach substantially. The original stands as more authorial production than the broader franchise suggests.
For Writers
Plot difficulty can be deliberate strategic choice rather than structural failure. Mission: Impossible chooses plot complexity at the cost of immediate accessibility. The choice produces ongoing critical engagement that simpler plots would not have sustained. Apply this to fiction. Consider whether your work prioritizes immediate accessibility or sustained engagement that may require multiple readings.
The Cruise Star Performance
Tom Cruise’s performance as Ethan Hunt established the character template that the franchise has continued to develop across three decades. The character operates as competent professional whose committed engagement with each operation produces the franchise’s identity. Cruise plays Hunt through accumulated authority that the dramatic situations require. The performance refuses the wisecracking action hero register that contemporary 1996 cinema would have invited.
The performance also engaged with the production’s specific physical requirements. Cruise performed substantial stunts personally including elements of the Langley sequence. The committed practical approach established the franchise template that subsequent productions would extend at increasingly dangerous scale. The actor’s continuing commitment to practical stunt work across the franchise has produced action cinema vocabulary that distinguishes the Mission: Impossible films from competing franchises.
For Writers
Foundational performances can establish character templates that subsequent works continue to develop. Mission: Impossible’s Cruise performance established the Hunt template that has carried across eight franchise films. Apply this to fiction. Consider whether your characters establish templates that subsequent works could extend or operate as one-off creations.
Craft Note
Cruise’s production company role on Mission: Impossible represented the actor’s transition from star performer to franchise producer. The investment in production control allowed the actor to direct the franchise’s creative approach across subsequent decades. Creators who invest in production control rather than only in immediate performance can shape long-term creative output in ways that performer-only approaches cannot.
Verdict
Mission: Impossible is the foundational work of one of the most successful contemporary franchises and operates at higher craft level than franchise launcher reputation suggests. The Langley vault sequence shows how specific spatial geography produces dramatic tension that generic action conventions cannot match. The plot difficulty operates as deliberate strategic choice that produces ongoing critical engagement. The Cruise performance established the character template that the franchise has developed across three decades. Essential viewing for audiences interested in spy thriller, in Cruise’s career development, or in films whose subsequent franchise extensions have developed in different directions than the original suggested.
FAQ
How does the original compare to subsequent Mission: Impossible films?
The original operates at substantially different register than subsequent productions. The first film emphasizes plot mechanism. Subsequent productions emphasize action spectacle. Both approaches have produced strong franchise entries.
Should I watch Mission: Impossible before or after the original 1966 television series?
Either order works. The 1966 series operates at substantially different register than the film. Viewers without television series engagement can engage with the film on its own terms.
How does the film fit De Palma’s filmography?
Mission: Impossible represents De Palma’s principal commercial film alongside The Untouchables (1987). The work operates within the director’s continuing interest in plot mechanism complexity.
How difficult is the plot really?
Genuinely difficult. Multiple viewings reveal plot mechanics that single viewings miss. Viewers should approach the work with awareness that the plot complexity is deliberate rather than as failure to communicate clearly.
How does the runtime function?
The film runs approximately one hundred ten minutes. The compressed runtime supports the plot density that the work develops.
What is the cultural impact of the film?
Mission: Impossible launched one of the most successful contemporary film franchises. The work has produced substantial cultural impact through commercial success, the franchise’s continuing development, and specific iconic elements including the Langley sequence and Lalo Schifrin’s theme music.