Movie Reviews

Film and television reviewed the way I’d want to read them — with a rating that means something, an honest accounting of what works and what doesn’t, and craft notes for writers who want to understand how the machinery operates.

Each review includes a craft notes section for writers — specific observations about structure, character, world-building, and what the film does that you can actually use. Not theory. Technique you can steal.

Superheroes (41)

Ant-Man (2015)May 12, 2026

Ant-Man (2015) — Review

Paul Rudd's likability anchors a heist-comedy that survived Edgar Wright's departure. The Quantum Realm setup that would matter. Phase Two closer. At 6/10.

Ant-Man and the Wasp (2018)May 12, 2026

Ant-Man and the Wasp (2018) — Review

Evangeline Lilly's Wasp introduction through earned narrative foundation. Ghost's underdeveloped sympathetic antagonist. Phase Three bridge filler. At 5/10.

Avengers Endgame (2019)May 12, 2026

Avengers: Endgame (2019) — Review

The most contrived blockbuster of the decade. Time travel as fan service, the Stark sacrifice, and the multiverse infrastructure that destroyed the MCU. At 4/10.

Avengers Infinity War (2018)May 12, 2026

Avengers: Infinity War (2018) — Review

Two billion dollars on the strength of accumulated franchise capital. Forty characters, the Snap that wasn't depicted, and structural failures. At 4/10.

Black Panther (2018)May 12, 2026

Black Panther (2018) — Review

Michael B. Jordan's Killmonger is one of the franchise's best villains. Production and costume design earned Academy Awards. The third act collapses. At 5/10.

Black Widow (2021)May 12, 2026

Black Widow (2021) — Review

Florence Pugh's Yelena Belova carries a film that arrived too late to matter. The Phase Four opener that established the pattern of decorative empowerment. At 0/10

Captain Marvel (2019)May 11, 2026

Captain Marvel (2019) — Review

Flat performance, press tour damage, decorative feminism, and the protagonist who is actually the villain. Captain Marvel reviewed at -1000.

Deadpool & Wolverine (2024)May 12, 2026

Deadpool & Wolverine (2024) — Review

Hugh Jackman's nostalgia return at the cost of Logan's emotional finality. Wesley Snipes's Blade, the comic-source costume, and excessive snarkiness. At 1/10.

Doctor Strange (2016)May 12, 2026

Doctor Strange (2016) — Review

Cumberbatch as a specifically arrogant intellectual protagonist, Tilda Swinton's Ancient One, reality-folding combat. The MCU mystical foundation at 8/10.

Eternals (2021)May 12, 2026

Eternals (2021) — Review

The Celestials are cosmic-scale beautiful. The rest of the film fails under decorative diversity and two-and-a-half hours of incoherent narrative. At 1/10.

Guardians of the Galaxy (2014)May 12, 2026

Guardians of the Galaxy (2014) — Review

James Gunn's space-opera commitment, the Awesome Mix Vol. 1 soundtrack, the cosmic Marvel foundation. The film that worked before the formula did. At 6.5/10.

Iron Man (2008)May 12, 2026

Iron Man (2008) — Review

Robert Downey Jr., Jon Favreau, and the cave construction sequence that built a franchise. The casting decision that built Marvel Studios. Iron Man at 9/10.

Iron Man 2 (2010)May 12, 2026

Iron Man 2 (2010) — Review

Robert Downey Jr.'s strongest moments buried under franchise machinery. Black Widow's intro, War Machine's recasting, and Whiplash wasted. Iron Man 2 at 5/10.

Iron Man 3 (2013)May 12, 2026

Iron Man 3 (2013) — Review

Shane Black's buddy-comedy direction, Downey's strongest character work, and the Mandarin twist Marvel spent eight years correcting. At 5/10.

Spider-Man Homecoming (2017)May 12, 2026

Spider-Man: No Way Home (2021) — Review

Florence Pugh's Yelena carries another film that fails. Mental health as decorative content. The Sentry/Void mechanic is structurally confused. At 1/10.

The Avengers (2012) — ReviewMay 12, 2026

The Avengers (2012) — Review

Joss Whedon's ensemble breakthrough, Tom Hiddleston's Loki, and the film that proved interconnected superhero cinema could function at scale. At 8.5/10.

The Incredible Hulk (2008)May 12, 2026

The Incredible Hulk (2008) — Review

Edward Norton, Louis Leterrier, and the most underrated MCU film. Norton's psychologically committed Bruce Banner. Tim Roth's Abomination. At 8.5/10.

The Marvels (2023)May 12, 2026

The Marvels (2023) — Review

The catastrophic $237 million loss that confirmed audience withdrawal. Body-swap premise, Captain Marvel continuation, and franchise collapse. The Marvels at -100.

Meta and Leonardo for The Wolverine (2013)May 12, 2026

The Wolverine (2013) — Review

James Mangold's first Wolverine film. Japan setting, bullet train sequence, the foundation that led to Logan. Third-act Silver Samurai problems. At 8/10.

Thor (2011)May 12, 2026

Thor (2011) — Review

Kenneth Branagh's Shakespearean direction, Chris Hemsworth's introduction, Tom Hiddleston's debut as Loki. The MCU mythological foundation. At 8/10.

Thor Love and Thunder (2022)May 12, 2026

Thor: Love and Thunder (2022) — Review

The completion of Thor's degradation from Shakespearean prince to comedic buffoon. Mjolnir transfers to Jane Foster, Christian Bale's Gorr wasted. At -100.

Thor Ragnarok (2017)May 12, 2026

Thor: Ragnarok (2017) — Review

Funny but stupid. Taika Waititi's tonal pivot that broke the Thor character and signaled the MCU's slide into decorative comedy. Thor: Ragnarok at 6/10.

Thunderbolts (2025)May 12, 2026

Thunderbolts (2025) — Review

Florence Pugh's Yelena carries another film that fails. Mental health as decorative content. The Sentry/Void mechanic is structurally confused. At 1/10.

Wonder Woman (2017) ReviewMay 15, 2026

Wonder Woman (2017) — Review

Wonder Woman is one of the better DC Extended Universe productions and the first major female-led superhero film of the contemporary American superhero cinema era. Patty Jenkins directed. Allan Heinberg wrote the screenplay from a story by Heinberg, Zack Snyder, and Jason Fuchs. The film was...

Meta and Leonardo for X-Men (2000)May 12, 2026

X-Men (2000) — Review

Bryan Singer's foundation of modern superhero cinema. Patrick Stewart, Ian McKellen, Hugh Jackman's debut. The mutant-as-allegory framework working. At 8/10.

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