Genre: Indie
Independent works made outside the mainstream machine — personal, idiosyncratic stories that answer to their makers rather than the market.
-
Punch-Drunk Love (2002)
PTA's 2002 romantic drama. Adam Sandler as a rage-filled bathroom-supply salesman. The film that proved Sandler could act when directed by someone serious.May 17, '26 -
Mulholland Drive (2001)
Lynch's 2001 Hollywood nightmare. Started as a TV pilot, became a feature. Naomi Watts in a dual role that announced her. The Club Silencio scene.May 17, '26 -
Blue Velvet (1986)
Lynch's 1986 small-town surrealist thriller. MacLachlan, Rossellini, Hopper as Frank Booth. The severed ear opening. Suburban America's underside on film.May 17, '26 -
Eraserhead (1977)
Lynch's 1977 debut. Five years of weekend shooting. Black-and-white industrial nightmare with a deformed baby. The film Lynch never explained.May 17, '26 -
Barton Fink (1991)
Coens' 1991 Hollywood-hotel drama. John Turturro as a Brooklyn playwright in 1941 LA. Won Palme d'Or, Best Director, Best Actor at Cannes simultaneously.May 17, '26 -
Miller’s Crossing (1990)
Coens' 1990 Prohibition-era gangster film. Gabriel Byrne as Tom Reagan. The film the Coens made between their two most-praised early works and the underrated one.May 17, '26 -
Blood Simple (1984)
Coen brothers' 1984 debut. A Texas neo-noir small-cast murder spiral. The film that announced the Coens' mature voice on the first try.May 17, '26 -
Reservoir Dogs (1992)
Tarantino's 1992 debut. A heist film with no heist. Seven men in suits in a warehouse. The screenplay that launched American indie of the 1990s.May 17, '26 -
Requiem for a Dream (2000)
Aronofsky's 2000 addiction film. Four people destroyed in parallel tracks. Clint Mansell's score, Selby's novel, Burstyn's career-best performance.May 17, '26
