Genre: Crime

Crime stories live on the wrong side of the law — the planning, the act, and the fallout. They follow criminals, victims, and the line between them.

  • Payback (1999) Cover

    Payback (1999)

    Brian Helgeland's 1999 Mel Gibson crime thriller. Two versions: studio theatrical and 2006 director's cut. Westlake Parker adaptation under Porter name.
  • L.A. Confidential (1997) Cover

    L.A. Confidential (1997)

    Curtis Hanson's 1997 neo-noir on 1950s LAPD corruption. Three lead cops with actual arcs. The rare adult crime film that respects its audience.
  • The Departed (2006) Cover

    The Departed (2006)

    Scorsese's 2006 Boston crime thriller. Two moles, one in the mob, one in the police. DiCaprio, Damon, Nicholson. Finally got Scorsese his Oscar.
  • Zodiac (2007) Cover

    Zodiac (2007)

    David Fincher's 2007 procedural on the SF Zodiac killer investigation. Three protagonists, no killer caught. Obsession as the actual subject.
  • Four Brothers (2005) Cover

    Four Brothers (2005)

    John Singleton's 2005 Detroit revenge film. Wahlberg, Tyrese, André Benjamin, Garrett Hedlund as adopted brothers. Update of Sons of Katie Elder.
  • Street Kings (2008) Cover

    Street Kings (2008)

    David Ayer's 2008 LAPD corruption thriller. Keanu Reeves, Forest Whitaker, James Ellroy on the screenplay. Genre material at higher register.
  • Black Mass (2015) Cover

    Black Mass (2015)

    Scott Cooper's 2015 Whitey Bulger biopic. Johnny Depp's strongest dramatic performance since the 1990s. FBI corruption as central subject.
  • Out for Justice (1991) Cover

    Out for Justice (1991)

    John Flynn's 1991 Brooklyn cop thriller. Among the stronger Steven Seagal theatrical efforts. William Forsythe antagonist elevates the work.
  • Scarface (1932) Cover

    Scarface (1932)

    Howard Hawks's 1932 pre-Code Chicago gangster classic. Paul Muni as the Capone-adjacent Tony Camonte. Foundational gangster cinema.
  • Code of Silence (1985) Cover

    Code of Silence (1985)

    Andrew Davis's 1985 Chicago cop thriller. Among the stronger Chuck Norris theatrical efforts. Early Andrew Davis work before The Fugitive.
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