Movie Reviews
Film and television reviewed the way I’d want to read them — with a rating that means something, an honest accounting of what works and what doesn’t, and craft notes for writers who want to understand how the machinery operates.
Each review includes a craft notes section for writers — specific observations about structure, character, world-building, and what the film does that you can actually use. Not theory. Technique you can steal.
Supernatural (37)
A Christmas Carol (1984)
George C. Scott plays Scrooge in a faithful television adaptation that became a holiday staple after theatrical release.
All Cheerleaders Die (2013)
Lucky McKee and Chris Sivertson's 2013 American supernatural horror film about four high school cheerleaders resurrected by witchcraft after a car crash and seeking revenge on the football players who caused their deaths. McKee's distinctive feminist horror sensibility shapes the cult-genre production.
Beetlejuice (1988)
Tim Burton's comedy about a deceased couple haunting their old house and hiring a deranged bio-exorcist to scare out the living family.
Candyman (1992)
Bernard Rose adapts Clive Barker's story about a graduate student researching an urban legend that summons a hook-handed killer.
Evil Dead II (1987)
Sam Raimi's part-remake, part-sequel where Ash returns to the cabin and battles increasingly absurd demonic forces.
Fright Night (1985)
A teenager discovers his new neighbor is a vampire and seeks help from a washed-up TV horror host.
Ghost (1990)
Jerry Zucker's 1990 supernatural romance. Swayze, Moore, Goldberg. The pottery scene, the subway ghost. Holds up better than expected.
Insidious (2010)
James Wan's haunted house story where a comatose boy's spirit is trapped in a dimensional space called the Further.
It (2017)
Andrés Muschietti adapts the first half of King's novel about children battling a shape-shifting evil in 1980s Derry, Maine.
It Follows (2014)
David Robert Mitchell's allegorical horror where a sexually transmitted curse manifests as a slow-moving figure visible only to the victim.
Jennifer’s Body (2009)
Karyn Kusama's 2009 American horror comedy with screenplay by Diablo Cody about a high school cheerleader possessed by a demon who feeds on her male classmates. Megan Fox and Amanda Seyfried star in the substantially reappraised feminist horror landmark of the late 2000s.
Ju-On: The Grudge (2002)
Takashi Shimizu's haunted house horror where a curse spreads from anyone who enters a Tokyo home where a murder occurred.
Krampus (2015)
A dysfunctional family's hostile Christmas attracts the attention of the anti-Santa demon Krampus, who arrives with monstrous helpers.
Miracle on 34th Street (1947)
A department store Santa claims to be the real Kris Kringle, and a lawyer must defend him in court.
Pet Sematary (1989)
A family discovers an ancient burial ground behind their Maine home that returns the dead to life, but wrong.
Poltergeist 1 & 2 (1982, 1986)
Two Poltergeist films, 1982 and 1986. Spielberg-Hooper directorial credit complications. Foundational suburban horror cinema.
Ringu (1998)
Hideo Nakata directs the Japanese supernatural horror about a cursed videotape that kills viewers seven days after watching.
Satan’s Cheerleaders (1977)
Greydon Clark's 1977 American horror film about a high school cheerleading squad kidnapped by Satanic cultists for a sacrifice ritual. Canonical entry in the cheerleader-horror crossover with John Carradine and Yvonne De Carlo in supporting roles.
Scrooge (1951)
Alastair Sim plays Ebenezer Scrooge in the definitive screen adaptation of Dickens, visited by three spirits on Christmas Eve.
Scrooged (1988)
A cynical TV executive producing a live Christmas Carol broadcast is visited by three spirits who confront his soul.
Suspiria (1977)
Dario Argento directs the giallo horror about an American dance student who discovers her German ballet academy is run by witches.
The Amityville Horror (1979)
A family moves into a Long Island house where a mass murder occurred, and supernatural events drive them out.
The Bishop’s Wife (1947)
An Episcopal bishop praying for help with his cathedral project receives an angel who arrives to assist, though not in the way expected.
The Blair Witch Project (1999)
Three student filmmakers documenting a Maryland witch legend get lost in the woods, in the found-footage horror pioneer.
The Cabin in the Woods (2011)
Drew Goddard and Joss Whedon's meta-horror about college students at a remote cabin who discover their ordeal is engineered.
The Conjuring (2013)
James Wan directs the period haunting based on the Warrens' investigation of a Rhode Island farmhouse in 1971.
The Evil Dead (1981)
Five college students vacationing at a Tennessee cabin awaken demonic spirits through a Sumerian text, in Sam Raimi's debut.
The Fog (1980)
John Carpenter directs the story of a California coastal town haunted by the vengeful ghosts of mariners killed a century earlier.
The Green Mile (1999)
Darabont's 1999 King prison drama. Hanks, Duncan, James Cromwell. Death row, supernatural healing, electric chair. Three hours and earns the length.
The Lost Boys (1987)
Joel Schumacher directs the story of teenage brothers moving to a California coastal town where the local cool kids are vampires.
The Muppet Christmas Carol (1992)
Michael Caine plays Scrooge opposite Kermit, Miss Piggy, and the Muppet ensemble in a sincere adaptation of Dickens.
The Omen (1976)
An American diplomat learns his adopted son may be the Antichrist as people around the boy die in supernatural accidents.
The Others (2001)
Amenabar's 2001 haunted house with Nicole Kidman. WWII period, light-sensitive children, accumulated dread. Twist that works.
The Santa Clause (1994)
A divorced father inadvertently kills Santa Claus and discovers a contractual clause requiring him to take over the role permanently.
The Sixth Sense (1999)
M. Night Shyamalan's story of a child psychologist treating a boy who sees dead people, with the famous third-act revelation.
The Sixth Sense (1999)
M. Night Shyamalan's 1999 ghost story with the most-quoted twist of its decade. Bruce Willis, Haley Joel Osment, a script that earns its reveal twice.
The Wolf Man (1941)
Lon Chaney Jr. plays a man bitten by a werewolf in a Welsh village who transforms during the full moon.




































