Movie Reviews
Film and television reviewed the way I’d want to read them — with a rating that means something, an honest accounting of what works and what doesn’t, and craft notes for writers who want to understand how the machinery operates.
Each review includes a craft notes section for writers — specific observations about structure, character, world-building, and what the film does that you can actually use. Not theory. Technique you can steal.
Foreign Movies (61)
13 Assassins (2010)
Takashi Miike's 2010 samurai siege film. Forty-five minute climax. Pairs with Seven Samurai as the modern remake the genre needed.
8½ (1963)
Fellini's 1963 self-portrait. Mastroianni as a director who can't make his next film. Five Oscars. The film film school built itself around in Europe.
A Bittersweet Life (2005)
Kim Jee-woon's 2005 Korean crime drama. Lee Byung-hun as a hotel enforcer one mistake from death. Compressed, controlled, lethal.
A Prophet (2009)
Audiard's 2009 French prison film. Tahar Rahim as Malik. Six-year rise inside the system. Pairs with the Shawshank/Bronson prison cluster.
A Separation (2011)
Farhadi's 2011 Iranian domestic-legal drama. A middle-class couple's divorce becomes a moral procedural. Best Foreign Oscar. Pairs with Presumed Innocent.
A Touch of Sin (2013)
Jia Zhangke's 2013 Chinese anthology. Four stories of modern violence in industrial China. Won Best Screenplay at Cannes.
Battle Royale (2000)
Fukasaku's 2000 teen-survival film. Junior high students sent to an island to kill each other. The source The Hunger Games stole from and softened.
Battleship Potemkin (1925)
Eisenstein's 1925 Soviet propaganda film. The Odessa Steps sequence remains the most-imitated montage in cinema. 75 minutes that changed editing.
Bicycle Thieves (1948)
De Sica's 1948 Italian neorealist drama. A father and son search Rome for a stolen bicycle. The foundation document of postwar realist cinema.
Breathless (1960)
Godard's 1960 French New Wave debut. Belmondo and Seberg in Paris. The jump cuts that broke continuity editing for the rest of cinema.
Children of Heaven (1997)
Majidi's 1997 Iranian family drama. A boy and his sister share one pair of shoes between school sessions. First Iranian film nominated for Best Foreign Oscar.
Cinema Paradiso (1988)
Tornatore's 1988 Italian drama. A boy grows up in a small-town movie theater. The director's cut adds an hour and changes the film. The shorter cut is the one to watch.
Come and See (1985)
Klimov's 1985 Soviet WWII drama. A teenage boy joins partisans in Nazi-occupied Belarus. Among the most devastating war films ever made.
Downfall (2004)
Hirschbiegel's 2004 German WWII drama. Bruno Ganz as Hitler in the bunker's last ten days. The film YouTube remix culture turned into meme footage.
Fanny and Alexander (1982)
Bergman's 1982 Swedish family epic. Theatrical cut three hours, TV cut five. The autobiographical work he meant to end his career on.
Grave of the Fireflies (1988)
Takahata's 1988 Studio Ghibli WWII drama. Two siblings starve in firebombed Japan. The animation widely cited as the most devastating ever made.
Harakiri (1962)
Kobayashi's 1962 anti-samurai film. A ronin requests ritual suicide at a clan's gate. The most ruthless dismantling of bushido ever committed to film.
Hard Boiled (1992)
John Woo's 1992 Hong Kong action film. Chow Yun-fat and Tony Leung. The hospital sequence that John Wick choreography traces back to.
High and Low (1963)
Kurosawa's 1963 kidnapping procedural. Mifune as the shoe executive. First hour in one room, then the film cracks open. Adapted from an Ed McBain novel.
I Saw the Devil (2010)
Kim Jee-woon's 2010 extreme revenge thriller. Lee Byung-hun as the cop, Choi Min-sik as the killer. Where the genre ends. Not for casual viewing.
In the Mood for Love (2000)
Wong Kar-wai's 2000 1960s Hong Kong romance. Tony Leung, Maggie Cheung. Unfulfilled longing. Cheongsam parade. Slow motion.
Infernal Affairs (2002)
Lau and Mak's 2002 Hong Kong crime thriller. Two moles on opposite sides. The film Scorsese remade as The Departed. Often called the better version.
La Dolce Vita (1960)
Fellini's 1960 Rome decadence drama. Three hours of Marcello Mastroianni drifting through high society. Gave English the word 'paparazzi.'
Le Samouraï (1967)
Melville's 1967 French crime film. Alain Delon as the hitman in trench coat and fedora. The visual template every quiet-assassin film has copied since.
Le Trou (1960)
Jacques Becker's 1960 French prison drama. Five inmates plan escape from La Sante. Real-time digging sequences. Becker's final film.
Let the Right One In (2008)
Alfredson's 2008 Swedish vampire film. A bullied 12-year-old boy and the girl-shaped vampire next door. The American remake softened everything that worked.
Leviathan (2014)
Zvyagintsev's 2014 Russian drama. A man fighting a corrupt mayor over his coastal property. The whale skeleton on the beach. Modern Russia in two hours forty.
Lone Wolf and Cub: Sword of Vengeance (1972)
Kenji Misumi's 1972 first Lone Wolf film. Itto Ogami and infant son Daigoro on the assassin road. Six-film series template.
M (1931)
Fritz Lang's 1931 German film. Peter Lorre as a child murderer hunted by both police and the criminal underworld. The first proper serial killer film.
Memories of Murder (2003)
Bong Joon-ho's 2003 procedural. Korean cops hunt a serial killer in the 1980s. Based on the real Hwaseong murders. Pairs with Zodiac.
Mesrine (2008)
Richet's 2008 two-part French gangster epic. Vincent Cassel as Jacques Mesrine. Killer Instinct and Public Enemy Number One. Four hours total, earned.
Metropolis (1927)
Fritz Lang's 1927 German silent SF epic. The film every dystopian city movie has copied. Restored 2010 cut is the version to watch.
My Neighbor Totoro (1988)
Hayao Miyazaki's 1988 Studio Ghibli pastoral. Two girls discover forest spirits in rural Japan. Catbus, soot sprites, kindness throughout.
Oldboy (2003)
Park Chan-wook's 2003 Korean revenge film. Oh Dae-su imprisoned 15 years in one room. The hammer hallway take. Peak of Park's vengeance trilogy.
Oldboy (2013)
Spike Lee's 2013 remake of Park Chan-wook's Korean original. Josh Brolin and Sharlto Copley. Cleaner and more straightforward than the 2003 version.
Persona (1966)
Bergman's 1966 Swedish psychological drama. Two women at a beach cottage. Identity dissolves. The film Bergman called his closest to abstract music.
Police Story (1985)
Jackie Chan's 1985 Hong Kong action film. He directed, choreographed, and did his own stunts. The mall finale is among the great unfaked action sequences.
Princess Mononoke (1997)
Miyazaki's 1997 environmental fantasy. Iron age Japan, forest gods, no clear villain. The film that defined Studio Ghibli's mature period for Western audiences.
Ran (1985)
Kurosawa's 1985 King Lear in feudal Japan. Three-hour battle epic with armies of 1,400 extras. The film he spent ten years preparing.
Rififi (1955)
Jules Dassin's 1955 French heist. Thirty-two-minute silent jewelry heist sequence. Template for every heist procedural since.
Sanjuro (1962)
Kurosawa's 1962 Yojimbo sequel. Mifune returns as the ronin. The final-fountain-of-blood draw became foundational anime image.
Spirited Away (2001)
Miyazaki's 2001 fantasy. A ten-year-old girl trapped in a bathhouse for spirits. First non-English Best Animated Feature Oscar winner.
Stalker (1979)
Tarkovsky's 1979 Soviet SF film. A guide leads two men into the Zone. Two and a half slow hours that justify every minute. One of the great philosophical films.
Sword of the Beast (1965)
Hideo Gosha's 1965 second film. Fugitive samurai on the run. The genre's anti-feudal voice. Criterion-canonical.
Taste of Cherry (1997)
Kiarostami's 1997 Iranian drama. A man drives around Tehran looking for someone to bury him after his suicide. Palme d'Or. Tests viewer patience and rewards it.
The 400 Blows (1959)
Truffaut's 1959 French New Wave foundation. Jean-Pierre Léaud as Antoine Doinel. Semi-autobiographical. Closing freeze frame defined modern cinema endings.
The Conformist (1970)
Bertolucci's 1970 political thriller. Trintignant as a man trying to become normal under fascism. Storaro's cinematography reshaped what color film could do.
The Girl with the Dragon Tattoo (2009)
Oplev's 2009 Swedish thriller. Noomi Rapace as Lisbeth Salander. Original adaptation of Stieg Larsson's trilogy. Sharper than the Fincher remake.
The Hidden Fortress (1958)
Kurosawa's 1958 medieval adventure. Mifune as general, two bumbling peasants. Lucas cited as Star Wars influence.
The Hunt (2012)
Vinterberg's 2012 Danish small-town drama. Mads Mikkelsen as a kindergarten teacher falsely accused of child abuse. Mob mentality study at its sharpest.
The Killer (1989)
John Woo's 1989 Hong Kong heroic bloodshed film. Chow Yun-fat as a hitman trying to retire. The film Tarantino spent a decade trying to remake.
The Lives of Others (2006)
Donnersmarck's 2006 German drama. A Stasi officer surveilling a playwright. Won Best Foreign Language Oscar. East Germany at the edge of collapse.
The Sword of Doom (1966)
Kihachi Okamoto's 1966 nihilist samurai film. Tatsuya Nakadai as soulless killer. Adapted novel never finished. Abrupt ending.
The Twilight Samurai (2002)
Yoji Yamada's 2002 late-Edo samurai drama. Hiroyuki Sanada as widowed petty officer. Domestic samurai life. Academy Award nominee.
The Wailing (2016)
Na Hong-jin's 2016 Korean rural-horror. A village cop investigates a stranger. Three hours of ambiguity. Earns its length.
Three Outlaw Samurai (1964)
Hideo Gosha's 1964 directorial debut. Three masterless samurai aid peasant uprising. Spin-off from TV series. Stark and brutal.
Throne of Blood (1957)
Kurosawa's 1957 Macbeth set in feudal Japan. Mifune as Washizu. The arrow finale is among the most committed practical-effects sequences ever filmed.
Train to Busan (2016)
Yeon Sang-ho's 2016 Korean zombie film. The whole movie happens on one train. The first zombie film in a decade to feel necessary.
Wild Strawberries (1957)
Bergman's 1957 Swedish drama. An aging professor's day-long road trip to accept an honorary degree. Memory, regret, dreams. Among Bergman's most accessible.
Wings of Desire (1987)
Wenders's 1987 German fantasy. Angels watch over divided Berlin. Bruno Ganz, Otto Sander. The source Hollywood remade as City of Angels.
Yojimbo (1961)
Kurosawa's 1961 samurai-noir. Mifune as the masterless ronin who plays two factions against each other. Direct source for Fistful of Dollars and Last Man Standing.




























































