Movie Reviews
Film and television reviewed the way I’d want to read them — with a rating that means something, an honest accounting of what works and what doesn’t, and craft notes for writers who want to understand how the machinery operates.
Each review includes a craft notes section for writers — specific observations about structure, character, world-building, and what the film does that you can actually use. Not theory. Technique you can steal.
Drama (156)
12 Angry Men (1957) and 12 Angry Men (1997) — Review
Sidney Lumet's 12 Angry Men is one of the best American films ever made. The film runs ninety-six minutes. The film takes place almost entirely in a single jury room. The film has no music until the closing credits. The film has twelve speaking parts plus a bailiff and a judge whose face is barely...
8½ (1963)
Fellini's 1963 self-portrait. Mastroianni as a director who can't make his next film. Five Oscars. The film film school built itself around in Europe.
A Bronx Tale (1993)
Robert De Niro's 1993 directorial debut. Father versus neighborhood gangster for boy's loyalty. Chazz Palminteri play adaptation.
A Christmas Carol (1984)
George C. Scott plays Scrooge in a faithful television adaptation that became a holiday staple after theatrical release.
A Few Good Men (1992)
1992 Rob Reiner courtroom drama with Tom Cruise as a Navy lawyer and Jack Nicholson as the Marine colonel who can't handle the truth.
A Man for All Seasons (1966)
Fred Zinnemann's 1966 Thomas More biopic. Paul Scofield won Best Actor. Won Best Picture. Robert Bolt's play adaptation.
A Separation (2011)
Farhadi's 2011 Iranian domestic-legal drama. A middle-class couple's divorce becomes a moral procedural. Best Foreign Oscar. Pairs with Presumed Innocent.
A Touch of Sin (2013)
Jia Zhangke's 2013 Chinese anthology. Four stories of modern violence in industrial China. Won Best Screenplay at Cannes.
Alfie (1966)
1966 Lewis Gilbert drama with Michael Caine breaking the fourth wall as a London womanizer facing the cost of his lifestyle.
All That Jazz (1979)
Bob Fosse's 1979 autobiographical musical about his own self-destruction. Roy Scheider as the Fosse stand-in. Brutal and brilliant.
American Beauty (1999)
Sam Mendes's 1999 suburban satire. Kevin Spacey as a midlife-crisis dad, Annette Bening as the wife. Won five Oscars. Aged in complicated ways.
American Graffiti (1973)
George Lucas's 1973 1962 California teen ensemble. Dreyfuss, Howard, Ford, Le Mat. Soundtrack establishes nostalgia template.
American History X (1998)
Tony Kaye's 1998 Edward Norton vehicle on neo-Nazi violence. The bathroom scene with Avery Brooks remains the most powerful in the film.
Anatomy of a Murder (1959)
1959 Otto Preminger courtroom drama with James Stewart as small-town Michigan lawyer defending an Army officer charged with murder.
Apocalypse Now (1979)
Coppola's 1979 Vietnam Heart of Darkness. Sheen, Brando, Duvall, Hopper. The shoot that nearly killed everyone. The film that closed New Hollywood.
Apollo 13 (1995) — Review
Apollo 13 is one of the best films of the 1990s and one of the best procedural dramas ever made. Ron Howard directed. Tom Hanks led. Bill Paxton, Kevin Bacon, Gary Sinise, and Ed Harris filled the major supporting roles. The film recreated the April 1970 lunar mission that nearly killed three...
Argo (2012) — Review
Argo is one of the best American thrillers of the past fifteen years and the film that established Ben Affleck as one of the more accomplished directors of his generation. The film was released in October 2012. It grossed approximately two hundred thirty-two million dollars worldwide on a...
Barton Fink (1991)
Coens' 1991 Hollywood-hotel drama. John Turturro as a Brooklyn playwright in 1941 LA. Won Palme d'Or, Best Director, Best Actor at Cannes simultaneously.
Battleship Potemkin (1925)
Eisenstein's 1925 Soviet propaganda film. The Odessa Steps sequence remains the most-imitated montage in cinema. 75 minutes that changed editing.
Becket (1964)
Peter Glenville's 1964 Anouilh play adaptation. Burton as Becket, O'Toole as Henry II. Their friendship-to-rivalry through theatrical dialogue.
Before Sunrise (1995)
Richard Linklater's 1995 single-night Vienna romance. Ethan Hawke, Julie Delpy. Spawned two sequels every nine years. Walking and talking.
Bicycle Thieves (1948)
De Sica's 1948 Italian neorealist drama. A father and son search Rome for a stolen bicycle. The foundation document of postwar realist cinema.
Birdman of Alcatraz (1962)
Frankenheimer's 1962 prison biopic. Burt Lancaster as Robert Stroud. Two and a half hours in a cell with a man and his birds.
Braveheart (1995)
Mel Gibson's 1995 William Wallace biopic. Won Best Picture. Historical accuracy abandoned for emotional impact. Freedom.
Brief Encounter (1945)
David Lean's 1945 British middle-class adultery drama. Celia Johnson, Trevor Howard. Railway station meetings. Rachmaninoff score.
Bronson (2008)
Refn's 2008 British prison biopic. Tom Hardy as Charles Bronson. Theatrical address-to-camera framing, real-time violence sequences. The film that announced Hardy.
Brubaker (1980)
Rosenberg's 1980 prison-reform drama. Robert Redford as the warden who arrives undercover as an inmate. Based on Tom Murton's actual 1960s Arkansas prison reform work.
Byzantium (2012)
Neil Jordan returns to vampires with a feminist story of a mother and daughter surviving two centuries. A thoughtful 7.5/10 reviewed at Master of Worlds.
Cabaret (1972)
Bob Fosse's 1972 Weimar Berlin musical. Liza Minnelli as Sally Bowles. Nazi rise as backdrop. Won eight Academy Awards.
Capote (2005)
Bennett Miller's 2005 Truman Capote biopic. Philip Seymour Hoffman won Best Actor. In Cold Blood research period in Kansas.
Casablanca (1942)
Curtiz's 1942 wartime romance. Bogart, Bergman, Henreid. The most quoted American film ever made. Holds every position it took during shooting.
Cat People (1942 / 1982) — Contrast Review
Cat People is one of the most influential psychological horror properties in American cinema history. The 1942 RKO production directed by Jacques Tourneur established the suggestion-based horror approach that subsequent American horror cinema has built on across more than eight decades of...
Chariots of Fire (1981)
Hugh Hudson's 1981 British Olympic drama. Two 1924 runners, one Christian one Jewish. Vangelis score. Won Best Picture.
Children of Heaven (1997)
Majidi's 1997 Iranian family drama. A boy and his sister share one pair of shoes between school sessions. First Iranian film nominated for Best Foreign Oscar.
Cinema Paradiso (1988)
Tornatore's 1988 Italian drama. A boy grows up in a small-town movie theater. The director's cut adds an hour and changes the film. The shorter cut is the one to watch.
Citizen Kane (1941)
Welles's 1941 debut. The film film school built itself around. Deep focus, ceiling shots, fractured timeline. Still works.
Cool Hand Luke (1967)
Rosenberg's 1967 prison drama. Paul Newman as Luke. Failure to communicate. The chain gang sequence, the egg-eating contest, the broken man at the end.
Das Boot (1981)
Petersen's 1981 German U-boat drama. Three-hour theatrical, six-hour director's cut, miniseries. The submarine claustrophobia film all later sub films measure against.
Dead Man Walking (1995)
Tim Robbins' 1995 death row drama. Sean Penn, Susan Sarandon Best Actress. Sister Helen Prejean memoir. Anti-capital-punishment.
Dead Poets Society (1989)
Peter Weir's 1989 prep school drama. Robin Williams as the unorthodox English teacher. Carpe diem, O Captain my Captain.
Deep Impact (1998)
Mimi Leder's 1998 comet impact drama. Released alongside Armageddon. The serious one. Tea Leoni, Robert Duvall, Morgan Freeman.
Deepwater Horizon (2016)
2016 Peter Berg disaster film with Mark Wahlberg recreating the 2010 BP oil rig explosion. Eleven dead, worst spill in U.S. history.
Dog Day Afternoon (1975)
Sidney Lumet's 1975 Brooklyn bank heist. Pacino, John Cazale. Real 1972 incident. Attica, Wyoming, sweltering New York summer.
Donnie Brasco (1997)
Mike Newell's 1997 undercover FBI drama. Depp as agent infiltrating Mafia, Pacino as the made man who befriends him. Forget about it.
Dunkirk (2017)
2017 Christopher Nolan WWII film. Three timelines covering the 1940 evacuation from the Dunkirk beaches. Sparse dialogue, sustained tension.
Eight Men Out (1988)
John Sayles' 1988 Black Sox scandal drama. Sweeney, Cusack, Sheen. The 1919 thrown World Series through procedural accuracy.
Escape from Alcatraz (1979)
Siegel's 1979 prison thriller. Clint Eastwood as Frank Morris. Based on the 1962 actual escape. No score for the first thirty minutes. Tension built from procedure.
Eyes Wide Shut (1999)
Stanley Kubrick's 1999 final film. Tom Cruise and Nicole Kidman. Schnitzler novella adaptation. Substantial conclusion to Kubrick's filmography.
Falling Down (1993)
Schumacher's 1993 urban thriller. Michael Douglas walks across LA leaving violence behind, Robert Duvall follows. The Whammyburger scene is the least of it.
Fanny and Alexander (1982)
Bergman's 1982 Swedish family epic. Theatrical cut three hours, TV cut five. The autobiographical work he meant to end his career on.
Fight Club (1999)
David Fincher's 1999 anarchist satire. Edward Norton, Brad Pitt, Helena Bonham Carter. The film that gave us a reading test the audience usually fails.
First Reformed (2017)
Schrader's 2017 religious drama. Ethan Hawke as a Protestant minister losing his faith over climate despair. Schrader's late masterpiece.
Full Metal Jacket (1987)
Kubrick's 1987 Vietnam two-act. R. Lee Ermey as drill instructor. Hue City urban combat. Born to Kill helmet versus peace button.
Gandhi (1982)
Richard Attenborough's 1982 Gandhi biopic. Ben Kingsley breakthrough. Won eight Academy Awards. Three-hour epic of nonviolent resistance.
Gosford Park (2001)
Robert Altman's 2001 English country house mystery with substantial class commentary. Julian Fellowes screenplay foreshadows Downton.
Gridiron Gang (2006)
Lessac's 2006 juvenile detention football drama. Dwayne Johnson as the coach. Based on the actual Camp Kilpatrick Mustangs program. Honest, unfussy. Above-genre work.
Hamburger Hill (1987)
John Irvin's 1987 Vietnam combat drama. 101st Airborne assault on Hill 937 in 1969. Unsentimental and procedural.
Hard Eight (1996)
PTA's 1996 debut. Philip Baker Hall as an aging gambler taking in a stranger. Released as Sydney against PTA's wishes. The film that announced Anderson's voice.
Henry V (1989)
Kenneth Branagh's 1989 directorial debut. Mud and blood Agincourt rather than Olivier's pageantry. Once more unto the breach.
Her (2013)
Spike Jonze's 2013 near-future drama. Joaquin Phoenix and Scarlett Johansson as voice. Won Best Original Screenplay. One of the strongest American films of 2010s.
Hoosiers (1986)
David Anspaugh's 1986 small-town basketball drama. Gene Hackman as coach. Dennis Hopper as drunken assistant. Indiana high school basketball.
Hotel (1983-1988) — Review
Hotel is one of the substantial Aaron Spelling 1980s television productions and one of the more enduring American prime-time soap operas of the decade. The series aired on ABC from September 1983 through May 1988 across approximately five seasons and one hundred fifteen episodes. Aaron Spelling...
Hunger (2008)
Steve McQueen's 2008 directorial debut. Michael Fassbender as Bobby Sands. 1981 IRA hunger strike. Seventeen-minute single-shot dialogue.
I Am a Fugitive from a Chain Gang (1932)
Mervyn LeRoy's 1932 chain gang drama. Paul Muni. Changed Georgia state laws. The ending fade-to-darkness shot.
In the Mood for Love (2000)
Wong Kar-wai's 2000 1960s Hong Kong romance. Tony Leung, Maggie Cheung. Unfulfilled longing. Cheongsam parade. Slow motion.
In the Name of the Father (1993)
Jim Sheridan's 1993 film on the Guildford Four miscarriage of justice. Day-Lewis and Postlethwaite turn courtroom rage into pure craft.
Inherit the Wind (1960)
1960 Stanley Kramer courtroom drama fictionalizing the Scopes Monkey Trial. Spencer Tracy and Fredric March as opposing attorneys.
Joker (2019)
Todd Phillips's 2019 character study. Joaquin Phoenix won Best Actor. Scorsese-adjacent but not Scorsese. Still the strongest live-action Joker film.
La Dolce Vita (1960)
Fellini's 1960 Rome decadence drama. Three hours of Marcello Mastroianni drifting through high society. Gave English the word 'paparazzi.'
Lady Bird (2017)
Greta Gerwig's 2017 directorial debut. Saoirse Ronan as Sacramento teenager. Laurie Metcalf as mother. Both Oscar nominated.
Let Me In (2010)
Matt Reeves remakes Let the Right One In with care and conviction. A haunting 8/10 about two lonely children, reviewed at Master of Worlds.
Leviathan (2014)
Zvyagintsev's 2014 Russian drama. A man fighting a corrupt mayor over his coastal property. The whale skeleton on the beach. Modern Russia in two hours forty.
Life on the Line (2015)
2015 David Hackl drama with Cage as a Texas power lineman raising his niece while battling storms and corporate negligence.
Lord of War (2005)
Andrew Niccol's 2005 Nicolas Cage international arms trade drama. Among the most accomplished commercial cinema examinations of the industry.
Mad City (1997)
Costa-Gavras's 1997 media satire. Dustin Hoffman and John Travolta. Television news coverage as central subject. Has aged into prescient document.
Mean Streets (1973)
Scorsese's 1973 breakthrough. Harvey Keitel and De Niro as Little Italy hustlers. Catholic guilt, street violence, jukebox soundtrack.
Meet Joe Black (1998)
Brest's 1998 three-hour fantasy drama. Pitt as Death taking a vacation, Hopkins as the dying man hosting him. Critics hated it. The film has aged better than expected.
Meet John Doe (1941)
A reporter invents a fictional everyman who threatens to jump off a building on Christmas Eve, then must find someone to play him.
Midnight Express (1978)
Alan Parker's 1978 Turkish prison drama. Brad Davis as American imprisoned for hashish. Oliver Stone screenplay won Oscar. Brutal.
Million Dollar Baby (2004)
Clint Eastwood's 2004 boxing drama. Eastwood, Hilary Swank, Morgan Freeman. Won Best Picture, Best Director, Best Actress.
Moneyball (2011)
Bennett Miller's 2011 baseball analytics drama. Brad Pitt as Billy Beane, Jonah Hill as Peter Brand. Aaron Sorkin screenplay.
Mutiny on the Bounty (1962)
1962 Lewis Milestone epic with Marlon Brando as Fletcher Christian and Trevor Howard as Captain Bligh. Tahitian dream meets imperial cruelty.
Nadja (1994)
Michael Almereyda's black-and-white art-house vampire film filters Dracula through nineties indie cool. A singular, niche 6.5/10 reviewed at Master of Worlds.
Network (1976)
Sidney Lumet's 1976 TV news satire. Paddy Chayefsky screenplay. Peter Finch's I'm mad as hell speech. Predictive and ferocious.
Nightcrawler (2014)
Dan Gilroy's 2014 LA satire. Jake Gyllenhaal as Lou Bloom, freelance crime videographer. One of the great American films of its decade.
Nosferatu (2024)
Robert Eggers brings obsessive period craft to the third great Nosferatu, with a ferocious Lily-Rose Depp at its center. A demanding 8/10 reviewed at Master of Worlds.
Nosferatu the Vampyre (1979)
Werner Herzog remakes Murnau as a tragedy, and Klaus Kinski's Dracula is the genre's saddest monster. A haunting 8.5/10 reviewed at Master of Worlds.
Once Upon a Time in America (1984)
Sergio Leone's 1984 final film. De Niro, James Woods. New York Jewish gangsters across five decades. Three hours forty-five minutes uncut.
One Flew Over the Cuckoo’s Nest (1975)
Forman's 1975 mental hospital drama. Nicholson as McMurphy, Fletcher as Nurse Ratched. Five major Oscars including Best Picture.
Only Lovers Left Alive (2013)
Jim Jarmusch asks what eternity feels like after centuries of it. A gorgeous, melancholy 8/10 vampire mood piece reviewed at Master of Worlds.
Oppenheimer (2023)
Christopher Nolan's 2023 Manhattan Project biopic. Cillian Murphy as Oppenheimer. Won seven Academy Awards including Best Picture.
Orpheus (1950)
Cocteau's 1950 mythology drama. Marais as the poet, Casarès as Death. The mirror as the boundary between worlds. The high mark of poetic French cinema.
Out of Africa (1985)
Sydney Pollack's 1985 Karen Blixen Kenya romance. Streep, Redford. I had a farm in Africa. Won seven Academy Awards.
Papillon (1973)
Franklin Schaffner's 1973 Henri Charriere memoir. Steve McQueen, Dustin Hoffman. French Guiana penal colony. Multiple escape attempts.
Paths of Glory (1957)
Kubrick's 1957 WWI French army drama. Kirk Douglas defends three soldiers court-martialed for cowardice. Banned in France for decades.
Persona (1966)
Bergman's 1966 Swedish psychological drama. Two women at a beach cottage. Identity dissolves. The film Bergman called his closest to abstract music.
Phenomenon (1996)
Jon Turteltaub's 1996 Northern California drama. John Travolta as ordinary mechanic with accelerating capabilities. Robert Duvall in support.
Platoon (1986)
Oliver Stone's 1986 Vietnam drama. Charlie Sheen, Tom Berenger, Willem Dafoe. Won Best Picture. Stone's own combat experience.
Punch-Drunk Love (2002)
PTA's 2002 romantic drama. Adam Sandler as a rage-filled bathroom-supply salesman. The film that proved Sandler could act when directed by someone serious.
Raging Bull (1980)
Scorsese's 1980 boxing biopic of Jake LaMotta. Black-and-white, Schoonmaker-cut, De Niro at 60 pounds heavier. A man who only feels anything when hit.



































































































