For Your Eyes Only (1981)
1981 John Glen Bond film with Moore. Greek Mediterranean setting, ATAC recovery mission, return to grounded espionage after Moonraker.
This archive collects the films featuring Roger Moore reviewed at Master of Worlds — 7 titles spanning “A View to a Kill (1985)”, “For Your Eyes Only (1981)”, “Live and Let Die (1973)”, “Moonraker (1979)”, “Octopussy (1983)”, “The Man with the Golden Gun (1974)”, and “The Spy Who Loved Me (1977)”. Seen together they form a substantial cross-section of Roger Moore’s screen work, and the reviews approach them as storytelling first. The questions are consistent — what the performance asks of the audience, how it serves the structure of the film, and what holds up on a second or third viewing. Watching one actor across this many roles makes the craft legible in a way a single film cannot: the recurring instincts, the range, the choices that separate a memorable performance from a forgettable one. The collection is curated rather than exhaustive, built from films reviewed in depth at Master of Worlds, and it grows as further titles are added.
1981 John Glen Bond film with Moore. Greek Mediterranean setting, ATAC recovery mission, return to grounded espionage after Moonraker.
1983 John Glen Bond film with Moore in India. Maud Adams as Octopussy, jewel-smuggling circus train, Soviet nuclear plot.
1985 John Glen Bond film with Moore’s final outing at 57. Christopher Walken as Silicon Valley villain, Grace Jones as May Day.
1974 Guy Hamilton Bond film with Moore facing Christopher Lee’s Scaramanga. Far East setting, energy-crisis MacGuffin, solar weapon.
1977 Lewis Gilbert Bond film with Moore teamed with Soviet agent Barbara Bach against Stromberg. Jaws debuts. Lotus Esprit submarine.
1979 Lewis Gilbert Bond film with Moore in space. Drax’s orbital station, space-shuttle laser battle, post-Star Wars opportunism.
1973 Guy Hamilton Bond film with Roger Moore’s debut. Voodoo, blaxploitation tropes, Jane Seymour as Solitaire. Paul McCartney theme.